Installation view, Working On It: New Canadian Sculpture, The Beaverbrook Art Gallery, January 20-May 12, 2024,, Fredricton NB Canada
       
     
sculpture / Working On It
Sol, red filament, magnet, 12.07 x 12.15 x 11.95 cm Sol is the first work in a series of three dimensional wall works called 100 Closest Stars, the result of a spatial analysis in Python, of an open source astronomical dataset for the purpose of ma
       
     
sculpture / The Star Series
The Cloud Chamber, 2011, 96” length x 48” width x 48” height Made in collaboration with Dr. Justin Albert and the department of Physics & Astronomy, The Cloud Chamber is a functioning particle detector built for the express purpose of making co
       
     
sculpture / The Cloud Chamber
BIG BUBBLE (2015), aluminum, 1/4” plate x 48” diameter
       
     
sculpture / Bubble
iron, dimensions & positions vary, ed. 50
       
     
sculpture / Legs
bronze, dimensions & positions vary, ed. 50
       
     
sculpture / Figures
studio view, 2023, Lovitt NYC
       
     
sculpture / The Effect Effect
The interior of an octohedron is divided into twenty planes, ergo The Spark Chamber, 2011, steel, lexan (photo: Mike Wilkes)
       
     
sculpture / The Spark Chamber
“The most famous of all hexagonal conformations and perhaps the most beautiful is that of the bee’s cell.” -D’Arcy Wentworth Thompson, On Growth and Form (1917).
       
     
sculpture / Politics and Pollinators
Being Close is a sculpture with several opportunities for public engagement that, as a piece of art, invites careful consideration. A book moves through the trees above three planar forms. The book is open and face down, as if temporarily set aside,
       
     
sculpture / Being Close
Recognize Everyone (2018) is a large scale, site specific work, made for CAFK+A 18, June 2018, in Kitchener-Waterloo Canada, that reuses existing infrastructure. A three storey exterior stairwell serves as the canvas for a starburst or spatial mural
       
     
sculpture / Recognize Everyone
Four sculptures made in Highland Park, Los Angeles one summer in Julie Deamers residency, Outpost for Contemporary Art. 3/4” plywood, chalkboard paint, piano hinge, dimensions variable, 2006
       
     
sculpture / Little Dippers
FLASH, 1998, REFLECTIVE GARMENT , Halifax Nova Scotia (photo: David Lawson)
       
     
sculpture / Flash
installation view, NYABF, 2008 (essay: Introduction, p.11, The Thing The Book, Chronicle (SF: 2014), Jonn Herschend & Will Rogan) You may consider this the front desk, or the docent, or the wall text. It is these thngs as much as it is the intr
       
     
sculpture / Being | Event
Either this is madness or this is Hell. “It is neither,” calmly replied the voice of the Sphere. “It is Knowledge. It is Three Dimensions. Open your eye once again and try to look steadily.” - Flatland, A Romance in Many Dimensions , Edwin Abbott Ab
       
     
sculpture / Perfect Solids
Installation view, Snowmobile, 2000 (essay: Reid Shier , “A Thousand Miles of Dust and Ashes”, Contemporary Art Gallery, Vancouver: 2003) In Snowmobile (2000) Pullen carved a small car to scale out of a snow bank in the suburbs of Philadelphia. He
       
     
sculpture / Snowmobile
‘… all worldviews are partial. Some have a wider window of consciousness but all have blind spots.’ -Glenn Aparicio Parry Blind Spot (2010) is an 18 foot tall freestanding sculpture made of aluminum and reflective material. 9 feet in width and leng
       
     
sculpture / Blind Spot
series of snapshots taken in Value Village, in Dartmouth N.S. Canada, circa 1998, 4 x 6 in [10 x 15 cm], photo: L. Pullen
       
     
sculpture / Value Village
installation view (2018), courtesy of The Perimeter Institute Every object in this series is based on a star. 100 Closest Stars is a series of sculptures based on astronomical data from NASA. The artist proof is in the Perimeter Institute for Theor
       
     
sculpture / 100 Closest Stars
street view, 2500 SUPERBALLS, 1997 (collaboration: Sandy Plotnikoff ; photo: David Christensen; review: Graham Long, ‘It Takes Balls’, The Coast) It was years in the planning, but it only took about ten seconds for 2,500 little rubber balls to hit
       
     
sculpture / 2500 Superballs
Food sells twice, first as ingredient, then as gift. About the project Jim Rossiter writes, “Halifax police are investigating the mysterious case of the sugar cookies smuggled onto shelves in four Halifax Sobeys supermarkets yester­day. John Keizer,
       
     
sculpture / Eat Your Words
Installation view, 1:1 Recent Halifax Sculpture, SL Simpson Gallery, April 4-30, 1996, Toronto Canada (essay: Kenneth Hayes ) 1:1, the scalar relation that denotes life-size, can stand as an emblem for the idea that has dominated recent sculptural
       
     
sculpture / 1:1 Recent Halifax Sculpture