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Making conceptually driven, materially based works since 1994. Should you wish to get in touch my email is lucy [at] lucypullen [dot] com.
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Working On It: New Canadian Sculpture, The Beaverbrook Art Gallery, Fredricton Canada, 20 January - 12 May, 2024
Vanishing Point, with Elise Coker & Madeline Rupard, Gowanus BK, March 22-23, 2024,
Smoke and Mirrors, Narrowsburg Union, Narrowsburg NY, 2023
Library, Tapetto Volonte, Brooklyn NY, 2023
Ecologies & Communities, with G. L’Hirondelle Hill and J. Raina, RBC Community Gallery, Toronto Canada, 2022
Owning Earth, Unison Center for Art & Learning, New Paltz NY, 2022
What If, The Blue Building Gallery, Halifax Canada, 2021
Soft Launch, The Blue Building Gallery, Halifax Canada, 2021
The Day After, The Telos Society, Athens Greece, 2020
First You Dream, Art Gallery of Nova Scotia, Yarmouth Canada, 2020
Recognize Everyone, CAFKA ’18 and NoRTH, Kitchener-Waterloo, Canada, 2019
Being Close, Duckworth Museum, Meriden NH, 2019
First You Dream, Mount Saint Vincent Art Gallery, Halifax, 2019
First You Dream, University College of Cape Breton, Sydney Cape Breton, Canada, 2019
Swimmers, NYC Parks & Recreation, The Met Pool, 2019
The Bee Series, The Perimeter Institute for Theoretical Physics, Canada, 2018
100 Closest Stars, The Perimeter Institute for Theoretical Physics, Canada, 2018
Post, with Claire Bendiner and Peter Manion, Ridgewood NY, 2018
Archive Fever, Canadian Clay & Glass Museum, Waterloo Canada, 2015
The Last Brucennial, Bruce High Quality Foundation Invitational, New York USA, 2015
Wallpower, Library & Archives Exhibition #45, National Gallery of Canada, Ottawa Canada, 2013
Nocturne: Art at Night, Anchor Projects, Halifax Canada, 2013
Hue, Romer Young Gallery, San Francisco CA, 2012
Speakers, Artist Lecture Series Invitational, New York USA, 2012
The Cloud Chamber and Related Works, The Henry Art Gallery, University of Washington, Seattle, 2011
I Would Prefer Not To, Artspeak, Vancouver Canada, 2010
The Effect Effect, Ping Pong Gallery, San Francisco, 2010
No Soul For Sale, Festival of Independents, Tate Modern, London, 2010
Luminous Lines, Scripps College, Clairmont CA, 2010
Drawing on Drawing, Deep Space, New York NY, 2010
50 Artists Photograph the Future, Higher Pictures, New York NY, 2010
Somewhere Along the Line, Mount St. Vincent Art Gallery, Halifax Canada, 2009
Infinite Egress, Surrey Art Gallery, Surrey Canada, 2009
Blue-like and Orange, Ottawa Art Gallery, Ottawa, 2009
How Soon Is Now, Vancouver Art Gallery, Vancouver Canada, 2009
A Closer Look #7, Arcadia University Art Gallery, Philadelphia USA, 2008
A Spectral Glimpse, Platform, Seattle, 2007
Street Scene, Murray Guy Gallery, New York, 2007
Ash Holes & Antigraphs, Art Metropole, Toronto Canada, 2006
Ten by Twenty, Yerba Buena Center for the Arts, San Francisco, 2003
A Thousand Miles of Dust and Ashes, The Contemporary Art Gallery, Vancouver Canada, 2003
Wallpaper, Open Space, Victoria BC Canada, 2003
Snowmobile, 7901 High School Road, Elkins Park, Philadelphia, 2000
Supercollaborators - with Sandy Plotnikoff, Helen Pitt Gallery, Vancouver Canada, 2001
Works on Paper, Arcadia University Art Gallery, Glenside PA, 2001
Out of Bounds, The Luckman Gallery, UCLA Los Angeles CA, 2001
Freestanding, Beaver College Art Gallery, Glenside PA, 2001
Fin de Siècle - with Germaine Koh, Optica, Montréal Canada, 1999
Serial Killers, Platform, London England, 1999
To Be Continued, Parlor Projects, Art in General & Bellwether, NY, 1999
Wallpapers, Art Gallery of Nova Scotia, Halifax Canada, 1999
Transition - with Alex Morrison, Khyber Center for the Arts, Halifax Canada, 1998
Some Babies Were Just Born Sad, Anna Leonowens Gallery, NSCAD, Halifax Canada, 1998
See-through Cities, Christopher Cutts Gallery, Toronto Canada (curated by Luis Jacob), 1997
New Work - with Mitchell Weibe, St. Mary's University Art Gallery, Halifax Canada, 1997
2500 Superballs Tossed off the top of a Parking Garage, with Sandy Plotnikoff, Halifax Canada, 1997
1:1 Recent Halifax Sculpture - with Phil Grauer & Theirry Delva, SL Simpson Gallery, Toronto Canada, 1996
One of the People In This Room will be a Sucker, Eye Level Gallery, Halifax Canada, 1995
Eat Your Words, public intervention, Halifax Canada, 1994
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The Royal Bank of Canada
The Perimeter Institute for Theoretical Physics
The University of Victoria, Department of Physics & Astronomy
The NSCAD Archive, The Art Gallery of Nova Scotia
Certamen Internacional Arte Actual
St. Mary’s University Art Gallery
The Nova Scotia Art Bank
The Art Gallery of Nova Scotia
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Chozick, E.A. This 500 Square Foot Brooklyn Home Makes The Case For Constant Rearranging, Architectural Digest - photo: Meghan McNeer (ret. March 8, 2024)
Sullivan, L., Love & Other Rugs: Issue #11 on Lighting, Substack (ret. January 15, 2024)
Cronin, R., Halifax Art and Artists, An Illustrated History, Canada Art Institute (Halifax: 09/2023)
Cronin, R., ‘Lucy Pullen at The Blue Building Gallery,’ Sculpture Magazine (online publication) January 4, 2022
Bird, R.L., ‘A Swing and a Hit,’ The Coast, Halifax Nova Scotia Canada: October 23, 2013
Shaffer, L., ‘Poesis’, EGS Press: Toronto: 2012, Fall issue (p. 88-9)
Krajeweski. S., ‘Marks and Angles,’ the Henry Art Gallery | Publication Studios, Portland: July 2011 (pp. 130)
Stromberg, M., ‘The Effect Effect,’ Art Practical, Issue #7, San Francisco: January 2010
Ritter, K., ‘How Soon is Now’, Vancouver Art Gallery, Vancouver Canada: 2009 (p. 48-9)
Lawrence, R., ‘Artists Mess with Precarious Materials’, Georgia Straight, Vancouver Canada: 2007
Jenkner, I., ‘Somewhere Along the Line’, Mount Saint Vincent Art Gallery, Halifax: 2009, (cover, p.15-19)
Cuyela, M., ‘Certamen Internacional’ Arte Actual, Spain: 2007 (p. 27-8)
Plested, L., ‘Common Threads’, Illingsworth Kerr Art Gallery / Confederation Center Art Gallery: 2007
Antilff, A., ‘Lucy Pullen: Everyday in Art and Life’, Canadian Art, Toronto Canada: January 2005
Dault, J, ‘All That Remains is Light’, National Post, Toronto Canada: May 19, 2004
Rogan, W., Hershend, J., ‘The Thing: The Book’, Chronicle Books, San Francisco: September 2014 (p. 31-8)
Harris, M., ‘Nothing Is As It Appears,’ Vancouver Sun, Vancouver Canada: April 7, 2003
Roy, M., ‘Lucy Pullen’ Canadian Art, Toronto Canada: Fall 2003
Sheir, R., ‘Lucy Pullen’, in A Thousand Miles of Dust & Ashes, Contemporary Art Gallery, Vancouver: 2003
Heather, R., ‘Ladies and Gentlemen, We Are Floating In Space’ Les Commencaux’ Centre des arts actuel, Skol, Montréal Canada: 2002 (p.38)
Golonu, B., ‘Dread of Night, Dread of Not Night’, in TEN BY TWENTY, Yerba Buena, SF: 2003 (p.36)
Milroy, S., ‘Generation Next,’ The Globe & Mail, Toronto Canada: May 10, 2003
Jacob, L., ‘Don't Let This Come Between Us’, Tart Magazine, Toronto Canada: Spring 2002
Sozanski, E., ‘On the Edge and Over the Top’, Philadelphia Inquirer, Philadelphia USA: April 20, 2001
Pagel, D., ‘Art Reviews’, Los Angeles Times, Los Angeles USA: Sept 7, 2001
Papararo, J., ‘Supercollaborators’, Mix Magazine, Toronto Canada: Winter 2000
Fautley, M., ‘Mitchell Weibe & Lucy Pullen’, C Magazine, Toronto Canada: Spring 1999
Jacob, L., Dion, F., ‘After 1000 Gracias ‘in FIN DE SIÈCLE, Optica, Montréal Canada: 1999 (p.53-6)
Miller, E., ‘1:1 Thierry Delva, Phil Grauer, Lucy Pullen’, Arts Atlantic, Nova Scotia Canada: Spring 1999
Miller, M., ‘Surface of Depth: a Conceptual Fin de Siècle’, Marcus Miller, Montreal Canada: Nov 1999
Plotnikoff, S., Pullen, L., ‘Little Cockroach Press #12’, Art Metropole, Toronto Canada: 1998
Bernard, A., ‘Great Pairs of Legs’, Chronicle Herald, Halifax Canada: May 9, 1997
Long, G., ‘It Takes Balls’, The Coast, Halifax Nova Scotia: May 29, 1997
Laurin, G., ‘Lucy Pullen & Mitchell Wiebe’, St Mary's University Art Gallery, Halifax Canada: 1997
Hayes, K., ‘1:1 Recent Halifax Sculpture’, SL Simpson Gallery, Toronto Canada: 1996
Googoo, M., ‘Who Cooked These Up?’, Chronicle Herald, Halifax Canada: July 22, 1994
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ABD, The European Graduate School, Saas-Fee Switzerland, 2007- 2012 (concentration in media & communication)
SAVI: Spatial Analysis & Visualization Institute, Pratt Institute, Brooklyn New York, 2016 – 2018 (cert. GIS)
MFA, Tyler School of Art and Architecture, Temple University, Philadelphia PA, 1999 – 2001 (concentration in sculpture)
Skowhegan School for Painting and Sculpture, Skowhegan Maine 1998 (studio & post studio practice)
BFA, The Nova Scotia College of Art & Design University (NSCAD), Halifax Nova Scotia Canada, 1990 – 1994 (concentration in studio practice)
Undergraduate Student Exchange, The School of Art, The Cooper Union for the Advancement of Science & Art, 1991 - 1992 (studio art)
The Foundation Year Program, The University of King’s College, 1989 - 1990 (classics)
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Lucy Pullen is a Canadian artist and academic based in New York. She exhibits nationally and internationally. Selected solo exhibitions include The Blue Building Gallery in Halifax, The Henry Art Gallery in Seattle, Artspeak and The Contemporary Art Gallery in Vancouver among others. Group exhibitions include The Festival of Independents at The Tate Modern in London England, CAFK+A ‘18 in Kitchener Waterloo, Yerba Buena Center for the Arts in San Francisco, The Vancouver Art Gallery and Helen Pitt Gallery in Vancouver, SL Simpson Gallery in Toronto, Optica in Montréal, Art Metropole in Toronto and The Art Gallery of Nova Scotia among others. Her work is held in public, private and institutional collections. Site-specific and permanent installations include Unison Arts in New Paltz NY, Google Canada’s Head Office in Kitchener, The Perimeter Institute of Theoretical Physics in Waterloo, and the Cloud Chamber in the Department of Physics and Astronomy at the University of Victoria.
Pullen studied spatial analysis and visualization at the Pratt Institute in Brooklyn (cert.), media and communication at The European Graduate School in Saas Fee Switzerland (A.B.D.) for the purpose of making art. She attended the Skowhegan School for Painting and Sculpture in Maine, the Bemis Center in Omaha, The Banff Centre in Alberta Canada, the Straumur Art Commune in Hafnarfjordur Iceland, as artist in residence. She holds graduate and undergraduate degrees from Tyler School for Art & Architecture in Philadelphia, and NSCAD University (formerly The Nova Scotia College of Art & Design) in Halifax by way of Cooper Union for the Advancement of Science & Art in New York City and The University of King’s College in Halifax.
Previously held positions include an Assistant Professorship The University of Victoria, where she received tenure from the Faculty of Fine Arts for her contribution to the Department of Visual Arts. She has since led undergraduate and graduate seminars at CUNY Brooklyn College and Rutgers Mason Gross among others, and is a returning guest artist at The Vermont Studio Center in Johnson Vermont and the Parks & Open Space GAUD Pratt Institute. Pullen has a significant history of interdisciplinary collaboration. She welcomes opportunities discuss ideas about art and public space, and worked with Dr. Justin Albert and the Dept. of Physics and Astronomy at the University of Victoria on The Cloud Chamber, a freestanding particle detector that presents cosmic rays with the naked eye. Reviews and publications include Sculpture Magazine, Canadian Art, and C Magazine. The Canada Council for the Arts has supported the work since 1995, which was nominated for a Sobey Art Award in 2004. Notable collaborations include interventions with Sandy Plotnikoff in Halifax; exhibitions with Will Rogan in San Francisco; and public works with Eleanor King in New York.